When he uses the now-trite voicemail on “Perfect Circle / God Speed”, it lessens the effect of his passionate rapping done on the latter song. That’s not to discount the intentional weirdness of GO:OD AM and his previous works their successes are due to his vision instead of suffering from it.
Though he’s progressed exponentially in this regard, Miller still falls flat at times. The leap from good to great rapper is determined not just by how they stack up versus collaborators, but by how songs can be commanded by a singular voice. Unfortunately, consistency drags on many of the tracks he mans alone. When Lil B blesses “Time Flies” with koans about our relationship with time over a characteristically spacey Flying Lotus beat, Mac finds the pocket of the track’s intended philosophizing while also declaring his ego to be “as big as Texas” he’s truly enjoying himself on these songs, and it has an effect. He sounds his most excited when working with collaborators, proving that he’s not just a rapper, but a devoted rap fan as well. Like on Watching Movies, he refers to his old Easy Mac persona, laughing off his youthful efforts with the flourish that could only come from an artist’s maturity. GO:OD AM kicks off in fitting fashion with the Tyler, The Creator-produced Doors, a good morning track of sorts in which Mac croons that he’s been through all the highs and. Backed by a big band sound that switches to a twangy guitar for the song’s second part, Miller riffs on the euphoria that comes with making the hidden titular 100 grand. Take, for instance, lead single “100 Grandkids”. This optimistic outlook leads many of GO:OD AM’s best tracks. Little bells glisten amongst paranoid synths, accompanying a standard fare of hi-hats and snare claps while pitch-edited vocals flow through the background suggesting that anybody who tries to “bring down”, as the song says, would err in trying. On “Celebration”, for example, he follows up a smooth Miguel-assisted track with an extremely involved beat that comes off as an effortless production. He uses this length to showcase his celebrated ear for production, with intricate beats weaving his narratives better than the faux-gloss of Blue Slide Park ever could. He hasn’t exactly toned down his output with the album coming at a meaty 17 songs and an hour-and-ten-minutes runtime. on cut the check, which features one of chief keef’s best feature verses in recent memory, mac miller puffs his chest out, flowing effortlessly on a menacing flurry of hi-hats and booming kicks. The lyrical and emotional maturity he shows throughout the.
SHAREBEAST GOOD AM MAC MILLER FULL
The music he made whilst under the influence of drugs, most notably manifested on his 2014 mixtape Faces, on which he showcased substantial technical progress as a rapper, relied too heavily on the drug talk for a mixtape that spanned over twenty songs. Mac Miller has always had great beats thoughthe difference on GO:OD AM is that he’s finally using them to their full potential. The album has received positive reviews from longtime critics who complimented Miller on giving a more. Who could’ve imagined that the sophomoric, unlistenable Blue Slide Park was just a precursor to some of hip-hop’s most interesting releases? What clairvoyant saw the kid actually using the rhyme scheme “hat/that” as capable of Cam’ronian internal rhymes and flows that could extend multiple lines? From seemingly emerging as marijuana mastermind Wiz Khalifa’s similarly weed-loving sidekick to holding his own with friends and highly-respected MCs Ab-Soul and Schoolboy Q, Mac is acutely aware of his musical growth, and, continuing from his previous, sometimes great album, Watching Movies With the Sound Off, he nods towards substantial personal growth, too. Hip-hop artist Mac Miller released his third studio album GO:OD AM on September 18, 2015. On GO:OD AM, he's a youthful individual who ruminates on life and its irregularities ("Perfect Circle/God Speed") however is finally adequately pleasant to savor the experience of his thriving instead of weeping over its drawbacks ("100 Grandkids").Mac Miller is, without a doubt, in contention for the most improved rapper of all time when examining careers arcs. He's not the faint, prescription stupefied Mac Miller of his 2014 mixtape Faces, however then again he's not the wide-taken a gander at youngster who made the platinum hit "Donald Trump" any more. The gathering starts off with the glorious calm of the Tyler, The Creator-conveyed "Gateways." Over drowsy strings and vivacious piano Miller sings instead of raps: "Ain't sayin' that I'm quiet, I'm just in a prevalent spot." And all through the accumulation it gives off an impression of being legitimate.
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